At this very moment, there are an almost inconceivable amount of technological breakthroughs that are changing the face of cinema...
Why Blackmagic’s Pocket Cinema Camera Will Be More Disruptive Than the Production Camera 4K+
I haven’t had a chance to post a new blog for quite some time as I’ve spent the last month...
Music Video Shot on RED Scarlet+
I just finished post production on a music video for I directed for “The Jessica Stuart Few”. The video was...
On Set For Split With The Gh2 and Zeiss Primes+
I shot with Zeiss Primes on my GH2 for the first time today on set for my feature film Split....
Big day for Final Cut Pro X – 10.0.6 Update Means Native RED Support Amongst Many Other Things+
This has been the day that FCPX users have been waiting for – The major update to Final Cut Pro...
$140 Waterproof SLR Case From DiCAPac+
When looking at waterproof housing for your SLR, there are more options available than you might expect. I have been...
Gear List For My Feature Film – Split+
I am currently in production for my second feature film titled Split. The film focuses on the dissolution of a...
Review: Sony Action Cam+
For those of you that don’t know, the Action Cam is Sony’s answer to the GoPro. It is a Wi-Fi...
Amazing New Finishing Tool: FilmConvert+
A large part of my day to day work involves Color Grading as the business that I run focuses heavily...
Breakdown of EOS to M43 Adapter Types and Review on the Fotodiox+
When adapting EF/EOS lenses to work with your MFT mount camera, you have a few options. Each option has varying...
Using Premiere Pro As a Workflow Tool+
Premiere Pro is tool that I’ve had a bit of a love/hate relationship with. I started using it in the...
Review: SLRMagic 12mm T1.6 Hyperprime+
Recently, I picked up the 12mm T1.6 Hyperprime from SLRMagic as I was in need of a fast wide angle lens that...
So Many Sliders+
I am currently gearing up for a feature film and the script calls for some nice slow, small dolly moves....